Showing posts with label Classical Music. Show all posts
Showing posts with label Classical Music. Show all posts

Saturday, February 23, 2013

MUSIC: Puccini Aria "Vissi d'arte"



For all of us who are fans of the TV sitcom, Frasier
This is Niles Crane's favorite aria

Giacomo Puccini
"Vissi d'arte"
Aria from the opera Tosca
Performed by Angela Gheorghiu 

In this aria, Tosca is crying out to God
Telling him all the good she has done
And asking why she is being
Rewarded with such catastrophe and suffering. 



~*~

Frasier's favorite soprano singing this aria is Renata Tebaldi
Here she is performing the same aria

"Vissi d'arte"
Renata Tebaldi
Live Stuttgart 1961



Saturday, February 16, 2013

MUSIC: "Elsa's Procession to the Cathedral" by Richard Wagner



If I ever get married, this is the music 
to which my betrothed and I 
will walk down the aisle together.

Today's piece is a short (7 minutes in length) instrumental arrangement for band by Lucien Cailliet entitled, "Elsa's Procession to the Cathedral", from Richard Wagner's opera Lohengrin.  This music accompanies Elsa of Brabant as she walks to the cathedral to get married to her knight in shining armor, Lohengrin.  The ending of this piece always gives me those wonderful orgasmic chills.

It is from this opera that we get the Bridal Chorus, 
popularly known as "Here Comes the Bride".  

It also contains the famous and exciting Overture to Act III

In the opera, the procession does not end with the triumphal finale like this arrangement, because a mean old woman jumps out and yells at Elsa that she doesn't really know her knight in shining armor! LOL

It was very difficult finding a good performance of Cailliet's instrumental arrangement as it is extremely difficult to perform well.  I listened to over 40 performances and finally chose this one performed by the Northwestern University Symphonic Winds.  It was the best performance with the highest quality audio I could find. 

"Elsa's Procession to the Cathedral"
by Richard Wagner
from his opera "Lohengrin"
(Instrumental arrangement by Lucien Cailliet)
Performed by
Northwestern University Symphonic Winds




Richard Wagner's opera Lohengrin
Synopsis
Place: Antwerp, on the Scheldt.
The Duchy of Brabant
Time: 10th century


Act 1

King Henry the Fowler has arrived in Brabant where he has assembled the German tribes in order to expel the Hungarians from his dominions. He also needs to settle a dispute involving the disappearance of the child-Duke Gottfried of Brabant. The Duke's guardian, Count Friedrich von Telramund, has accused the Duke's sister, Elsa, of murdering her brother in order to become the Duchess of Brabant. He calls upon the King to punish Elsa and to make him, Telramund, the new Duke of Brabant, since he is the next of kin to the late Duke, after having renounced to his right to Elsa's hand in matrimony, having taken Ortrud instead.

The King calls for Elsa to answer Telramund's accusation. She enters, surrounded by her attendants. She does not answer to the King's inquiries only lamenting her brother's fate. The King declares that he cannot resolve the matter and defers it to God's judgment through ordeal by combat. Telramund, a strong and seasoned warrior, agrees enthusiastically. When the King asks Elsa who shall be her champion, Elsa describes a knight she has beheld in her dreams (Narrative: "Alone in dark days").

Twice the Herald sounds the horn in summons, without response. Elsa sinks to her knees and prays to God. A boat drawn by a swan appears on the river and in it stands a knight in shining armour. He disembarks, dismisses the swan, respectfully greets the king, and asks Elsa if she will have him as her champion. Elsa kneels in front of him and places her honour in his keeping. He asks but one thing in return for his service: she is never to ask him his name or where he has come from. Elsa agrees to this.

Telramund's people advise him to withdraw because he cannot prevail against the Knight's powers, but he proudly refuses and the combat area is prepared. Each contender prays to God ("Herr und Gott") for victory for the one whose cause is just. Ortrud privately expresses confidence that Telramund will win. The combat commences. The unknown knight defeats Telramund but spares his life. Taking Elsa by the hand, he declares her innocent and asks for her hand in marriage. The crowd exits, cheering and celebrating.


Act 2
Night in the courtyard outside the cathedral

Telramund and Ortrud, banished, listen unhappily to the distant party-music. Ortrud reveals that she is a pagan witch (daughter of Radbod Duke of Frisia), and tries to revive Telramund's courage, assuring him that her people (and he) are destined to rule the kingdom again. She plots to induce Elsa to violate the mysterious knight's only condition.

When Elsa appears on the balcony in the twilight before dawn she hears Ortrud lamenting and pities her. While Elsa descends to open the castle door, Ortrud prays to her pagan gods, Wodan and Freia, for malice, guile, and cunning, in order to deceive Elsa and restore pagan rule to the region. When Elsa appears, Ortrud warns her that since she knows nothing about her rescuer, he could leave her any time, as suddenly as he came but Elsa is sure of the virtues of her rescuer.

The sun rises and the people assemble. The Herald announces that Telramund is now outlawed due to the false trial, and anyone who follows Telramund is an outlaw by the law of the land. In addition, he announces that the king has offered to make the unnamed knight the Duke of Brabant; however, the Knight has declined the title, and prefers to be known only as "Protector of Brabant". The Herald further announces that the Knight will lead the people to glorious new conquests, and will celebrate the marriage of him and Elsa. Behind the crowd, four noblemen quietly express misgivings to each other because the Protector of Brabant has rescinded their privileges and is calling them to arms. Telramund appears, and, concealing himself from the crowd, draws these four knights aside and assures them that he will regain his position and stop the Knight, by accusing him of sorcery.

As Elsa and her attendants are about to enter the church, Ortrud, as part of her retinue, challenges Elsa to tell who her husband is, and to explain why anyone should follow him. The King enters with the Knight. Elsa tells both of them that Ortrud was interrupting the ceremony. The Knight tells Ortrud to go back into the crowd, then takes Elsa to the wedding. The King leads at the front of the couple. When they are about to go inside the church (once more), Telramund also enters. He pleads to the king that his defeat in combat was invalid because the Knight did not give his name; trial by combat is traditionally open only to established citizens, then accuses him of sorcery. The Knight refuses to reveal his identity and claims that only one person in the world has the right to know his origin – his beloved Elsa and no other person. Elsa, though visibly shaken and uncertain, assures him of her confidence. King Henry refuses Telramund's questioning of the Knight's name to the Knight, the nobles of Brabant and Saxony praise and give respect to the Knight. Elsa, not seeing her beloved, falls back to the crowd where Ortrud and Telramund take her and try to intimidate her, the Knight forces both to leave the ceremony. The Knight consoles Elsa. Finally, the King, the Knight and Elsa, together with the men and women around, go forward. Elsa takes one last look at the banished Ortrud, then they enter the church.


Act 3
Scene 1: The bridal chamber

Elsa and her new husband are ushered in with the well-known bridal chorus, and the couple express their love for each other. Ortrud's words, however, are impressed upon Elsa, and, despite his warning, she asks her husband the fatal questions. Before the Knight can answer, Telramund and his four recruits rush into the room in order to attack him. The knight defeats and kills Telramund. Then, he sorrowfully turns to Elsa and asks her to follow him to the king, to whom he will now reveal his mystery.

Scene 2: On the banks of the Scheldt (as in Act 1)

The troops arrive equipped for war. Telramund's corpse is brought in, Elsa comes forward, then the Knight. He tells the King that Elsa has broken her promise and he discloses his identity by telling the story of the Holy Grail, on Monsalvat, and reveals himself as Lohengrin, Knight of the Holy Grail and son of King Parsifal sent to protect an unjustly accused woman. Since the rules of the Holy Grail determine that Knights of the Grail must remain anonymous but if their identity is revealed, they must retire from all human sight, so the time for his return has come.

As he sadly bids farewell to his beloved bride, the swan reappears. Lohengrin tells Elsa that if she had maintained her oath, she could have recovered her lost brother, and gives her his sword, horn and ring, for he is to become the future leader of Brabant. Then, when Lohengrin tries to get in the boat, Ortrud appears. She tells Elsa that the swan who drove Lohengrin to the bank was actually Gottfried, Elsa's brother, on whom she put a curse by transforming him into a swan. The people consider Ortrud guilty of witchcraft. Lohengrin prays and the swan turns into another form, a young Gottfried. He elects him as the Duke of Brabant. Ortrud sinks as she sees Gottfried and her plans thwarted.

A dove descends from heaven and taking the place of the swan at the head of the boat, leads Lohengrin to the castle of the Holy Grail. Elsa is stricken with grief and falls to the ground dead." (Source)

Don't you just love these happy Hollywood endings. LOL

Saturday, February 9, 2013

MUSIC: Ludwig van Beethoven "Symphony No. 6 - Movement 2"



Ludwig van Beethoven 
"Symphony No. 6 - Movement 2"
(Scene at the brook)
Herbert von Karajan, Conductor
Berlin Philharmonic Orchestra




Sunday, January 27, 2013

MUSIC: Beethoven Piano Concerto No. 3


GLORIOUSLY PHENOMENAL!!!

This is one piece you should have
In your listening repertoire

Beethoven 
Piano Concerto #3 in C minor, Op.37, 
Conducted by Leonard Bernstein
Piano Soloist: Krystian Zimerman
Vienna Philharmonic Orchestra

If you are not sure you want to listen to the entire piece
I suggest listening to the following preview

Click Play
Then move the seek bar and listen from the
 12:54 mark through to the 16:54 mark
Or perhaps listen to the last movement
from the 28:40 mark to the end
Hopefully you will then want to listen to the entire performance



Friday, January 25, 2013

MUSIC: Verdi's Requiem - Herbert von Karajan



5 Minutes of Scary Power!
:  )

This is a fabulous performance of
Verdi's Requiem

It assembles some of the world's greatest soloists:

Leontyne Price (Soprano)
Luciano Pavarotti (Tenor)
Fiorenza Cossotto (Mezzo Soprano)
Nicolai Ghiaurov (Bass) 

Conductor:  Herbert von Karajan 
Milan Teatro alla Scala Orchestra,  
Milan Teatro alla Scala Chorus 

It is about an hour and a half long

Here's the 5 minutes 
I want to share with you
Click Play
Then slide the seek bar to the
8:37 mark
Then listen through to the 12:57 mark
My favorite part starts at the 10:55 mark
Of course I'd love it if you'd listen to the entire performance




Sunday, January 20, 2013

MUSIC: Mahler Symphony No. 2


8 Minutes of Glorious Power
from the 5th Movement of Mahler's 2nd Symphony

The finale of Mahler's 2nd is one of my favorite classical pieces
Today I want to share a specific sections from the 5th movement
(Of course I'd love it if you listen to the entire performance)

WHY THIS 8 MINUTE SECTION?

Years ago, I visited the Grand Canyon
I had today's selection cued up on my iPod
I closed my eyes and positioned myself 
to see the canyon for the first time
(I had a friend position me so I wouldn't fall in.) LOL

I started the music and then, 
when the music reached the magic moment
I opened my eyes and saw the canyon for the first time
It was a GLORIOUS Experience


There are better performances of Mahler's 2nd
I chose this performance 
because of the audio quality of the uploaded video

Overall this performance is very good - not the best - but very good
And VERY POWERFUL!
The solo vocalists are not as good as I've heard before
This performance does have some extraordinary moments
I really like Dudamel's vision of Mahler's 2nd
The antiphonal brass section 
Up in the balcony is superb

If you don't have the time to listen to the entire symphony
I would suggest listening from 
the 54:20 mark  to the end

Mahler: Symphony No. 2 "Resurrection"
Gustavo Dudamel conducting 
the Simon Bolivar Symphony Orchestra 
with The National Youth Choir of Great Britain 
at the BBC Proms 2011.
Soloist: Miah Persson and Anna Larsson


Here's the section I want you to hear
JUST 8 MINUTES

Click Play then
Slide the seek bar to the
1:02:00 mark
and listen through to the 1:10:00 mark
The Magic Moment: Cymbal crash at the 1:03:29 mark
The end of what I want you to hear comes about one minute after you see
The close up of the Triangle player BUT you really should listen to it to the end
It is one of the greatest musical experiences of my life. It is well worth the time to Truly listen.




Friday, January 18, 2013

AOM Meditations: Benjamin Zander from TED Talks


I DARE YOU!
To try this experiment

This is Entertaining and Uplifting
I strongly URGE you to watch
This 20 minute talk
If you don't have time today
Please watch this on tomorrow.

Benjamin Zander
The transformative power of classical music



MUSIC: Chopin's Prelude No. 4 in E Minor


I am posting this performance
After the above post
This is the piece Benjamin Zander plays

I URGE you to watch the TED Talks video of him above

Chopin - Prelude No.4 in E minor,opus 28
performed by Grigory Sokolov 





Monday, December 24, 2012

MUSIC: My Gift to You - Merry Christmas!


Merry Christmas from Me to You

My gift to you is something very, VERY special to me.
I share it every year at this time.
It is one of my most favorite, 
most wonderful musical experiences of my life.
There have been many, 
but this ranks among the top three.
It is a moment that I remember vividly 
and I am so excited to share it with you.
It happened at the Grammys in 1998.

It has been ranked among the
Top Ten Greatest Grammy Moments

In 1998, I was watching Grammys waiting with great anticipation for the great Luciano Pavarotti to perform the aria, Nessun dorma, from the opera, Turandot, by Giacomo Puccini. When the time came,  Sting appeared with a sad announcement.  Because of a sore throat, Pavarotti's doctor recommended he skip the performance. I was most disappointed.  Then Sting announced that another singer had agreed to step in at the last moment to perform the song - Aretha Franklin. What!  The Queen of Soul to performing Nessun dorma?

WHAT!?!  I love Aretha Franklin and consider her one of the worlds greatest singers of all time, but I could not imagine her singing this tenor aria.  What transpired was one of the truly great performances I have ever had the great fortune to witness. 

(Note: The video runtime is 6 minutes, but the song is about 3 minutes.  Even if an opera aria is not your cup of tea, I think if you listen to the entire song, the ending will knock your socks off, give you chills, and might even bring a tear of joy or two.  I hope you enjoy.) 

HERE SHE IS - THE QUEEN OF SOUL
ARETHA FRANKLIN

"Nessun dorma"
from the opera, Turandot,
by Giacomo Puccini. 
performed by
Aretha Franklin



Saturday, December 22, 2012

MUSIC: Beethoven's Ode to Joy Flash Mob


GLORIOUS JOY!!!!!!!
An early Christmas gift from me to you

Please Don't Miss This

This is Super Duper Great!
Just a regular quiet day
In a town in Spain
and then....

This actually made me Weep with Joy
(no hyperbole)
 I love the reaction of the audience.